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b. 1
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composition: Op. 28 No. 11, Prelude in B major
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In the main text we include the fingering digit entered probably by Chopin into FESch. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
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b. 4-20
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composition: Op. 28 No. 11, Prelude in B major
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In A (→FC) b. 4, 8 and 20 are written in an abridged manner with •/• symbols, which indicate that the preceding bar should be repeated. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 6
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composition: Op. 28 No. 11, Prelude in B major
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In the main text we include the fingering entered probably by Chopin into FED. category imprint: Differences between sources |
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b. 6
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composition: Op. 28 No. 11, Prelude in B major
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FE overlooked the category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FEJ |
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b. 12
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composition: Op. 28 No. 11, Prelude in B major
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The version of GE1 must be a mistake – the engraver most probably saw a note where the stem and the ledger line meet in FC, the point of contact of which resulted in a small protrusion (such situations are also to be found in Chopin's autographs, where it can be difficult to settle them, cf., e.g. the Etude in A category imprint: Differences between sources issues: Errors in GE , GE revisions |
restoring e1 on the 5th R.H. quaver. The accidental was added in 
1 in 
Major, Op. 10 No. 10,